| Alexander Volpin and the Origins of the Soviet Human Rights Movement |
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Benjamin Nathans Alexander Volpin and the Origins of the Soviet Human Rights Movement July 6th, 2006 Abstract This paper traces the life and thought of Aleksandr Volpin, the person widely credited with inventing the rights-based approach to dissent in the former Soviet Union. It is conceived as part of a larger study of the fate of the idea of rights, including human rights, in the post-Stalinist Soviet Union. After considering some of the leading explanations for the emergence of "legal" dissent in the USSR, the paper attempts to reconstruct the intensely inter-disciplinary milieu within which a law-based approach emerged as a leading conceptual tool for a wide variety of dissident positions. Volpin's scientific-technical training, his literary pursuits and his fascination with cybernetics serve as windows onto the intellectual life of an important segment of the post-war urban intelligentsia. By closely examining Volpin's encounters with the Soviet government and its courts, I attempt to illuminate on the micro level the unlikely journey of a Soviet intellectual to the idea of rights – and thus to the dominant global moral discourse of the second half of the twentieth century. |



National Council for Eurasian and East European Research (NCEEER) is a non-profit organization created in 1978 to develop and sustain long-term, high-quality programs for post-doctoral research on the social, political, economic, environmental, and historical development of Eurasia and Central and Eastern Europe. More
Aesthetic Politics in St. Petersburg: Skyline at the Heart of Political Opposition
Alexei Yurchak, University of California, Berkeley
This working paper focuses on the plans to construct a skyscraper in St Petersburg, Russia, known originally as Gazprom-City and recently renamed into Okhta Center, and on the controversy that developed around these plans. The paper uses the skyscraper debates as a lens to discuss a particular "aesthetic politics" of St Petersburg, the meaning of "world cities" and "global architecture" in Russian and international contexts, post-Soviet forms of political and corporate governance, the mobilization of civic opposition to such projects and the ability of such urban protests to translate into a more unified and politically oriented opposition than has been possible in other contexts in Russia.