| Origins of the Stalinist Superiority Complex: Western Intellectuals Inside the USSR |
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Michael David-Fox Origins of the Stalinist Superiority Complex: Western Intellectuals Inside the USSR October 25, 2004 Abstract This paper explores one little examined shift within Soviet system that can be traced through the reception of Western visitors to the USSR during the 1920s-1930s. During the 1920s, even as restrictions on coveted Western contacts were installed, the new regime assumed it had much to learn from advanced Western modernity; by the Stalinist 1930s, Soviet culture was declared superior in all respects and anti-foreign terror accompanied the purges. The paper traces the dynamics of this transformation through the Soviet tours of American writer Theodore Dreiser in 1928-29, a group of right-wing German intellectuals in 1932, and French fellow-traveler Romain Rolland in 1935. A transnational approach based on new archival materials, it argues, shows how the interwar "pilgrimage to Russia" was about more than just Soviet manipulation and Western utopianism; it was also an episode of intense mutual appraisal in which shifting Western and Soviet assertions of superiority and inferiority clashed. |



National Council for Eurasian and East European Research (NCEEER) is a non-profit organization created in 1978 to develop and sustain long-term, high-quality programs for post-doctoral research on the social, political, economic, environmental, and historical development of Eurasia and Central and Eastern Europe. More
Aesthetic Politics in St. Petersburg: Skyline at the Heart of Political Opposition
Alexei Yurchak, University of California, Berkeley
This working paper focuses on the plans to construct a skyscraper in St Petersburg, Russia, known originally as Gazprom-City and recently renamed into Okhta Center, and on the controversy that developed around these plans. The paper uses the skyscraper debates as a lens to discuss a particular "aesthetic politics" of St Petersburg, the meaning of "world cities" and "global architecture" in Russian and international contexts, post-Soviet forms of political and corporate governance, the mobilization of civic opposition to such projects and the ability of such urban protests to translate into a more unified and politically oriented opposition than has been possible in other contexts in Russia.