| Red Stars, Black Shirts: Symbols, Commemorations, and Contested Histories of World War Two in Croatia |
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Red Stars, Black Shirts: Symbols, Commemorations, and Contested Histories of World War Two in Croatia Vjeran Pavlakovic, University of Washington September 11, 2008 Abstract This paper examines how various commemorative events have taken on new meanings and significance in post-communist Croatia. Politicized rituals at various "sites of memory" (Pierre Nora's lieux de mémoire) symbolize the divided social memory and contested histories of World War Two. The nationalization of victims, and the manipulation of the number of victims, particularly at the emotionally powerful sites of Jasenovac and Bleiburg, characterizes the commemorations and debates surrounding them. In the context of Croatia's painful post-communist transition, bloody war for independence, and challenging democratization process, World War Two commemorations have been illustrative of how political rituals reflect (as well as influence) Croatian society's understanding of the recent past and national identity. The challenge for ensuring a stable democracy in Croatia is in building a consensus regarding the past, or at least creating an atmosphere of open dialogue rather than the violence seen throughout the twentieth century. |



National Council for Eurasian and East European Research (NCEEER) is a non-profit organization created in 1978 to develop and sustain long-term, high-quality programs for post-doctoral research on the social, political, economic, environmental, and historical development of Eurasia and Central and Eastern Europe. More
Aesthetic Politics in St. Petersburg: Skyline at the Heart of Political Opposition
Alexei Yurchak, University of California, Berkeley
This working paper focuses on the plans to construct a skyscraper in St Petersburg, Russia, known originally as Gazprom-City and recently renamed into Okhta Center, and on the controversy that developed around these plans. The paper uses the skyscraper debates as a lens to discuss a particular "aesthetic politics" of St Petersburg, the meaning of "world cities" and "global architecture" in Russian and international contexts, post-Soviet forms of political and corporate governance, the mobilization of civic opposition to such projects and the ability of such urban protests to translate into a more unified and politically oriented opposition than has been possible in other contexts in Russia.