| Serbia between East and West: Bratstvo, Balancing, and Business on Europe's Frontier |
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Andrew Konitzer, Samford University AbstractThis article critically examines contemporary narratives which frame Serbian politics as a conflict between supporters of a pro-European Union (EU) policy and supporters of closer ties with Russia. Contrary to this narrative, contemporary Serbian political actors increasingly present policies and platforms oriented towards both the European Union and Russia. These developments reflect the contradictory legacies arising from the history of Serbian and Russian diplomatic relations along with the sometimes ambivalent implications of Russia's stance on the issue of Kosovo's independence, Serbian public attitudes towards Russia and recent developments in Serbian-Russian economic relations. Given the long time frame for EU membership and the current impasse over issues like Kosovo and Serbia's potential NATO membership, Serbia's leaders currently enjoy the luxury of simultaneously deepening ties with both the EU and Russia. However, future developments regarding Serbia's EU membership and the possibility of Serbia's joining NATO will likely present Serbian political elites with mutually-exclusive choices bearing important implications for their relations with either Russia or the EU. |



National Council for Eurasian and East European Research (NCEEER) is a non-profit organization created in 1978 to develop and sustain long-term, high-quality programs for post-doctoral research on the social, political, economic, environmental, and historical development of Eurasia and Central and Eastern Europe. More
Aesthetic Politics in St. Petersburg: Skyline at the Heart of Political Opposition
Alexei Yurchak, University of California, Berkeley
This working paper focuses on the plans to construct a skyscraper in St Petersburg, Russia, known originally as Gazprom-City and recently renamed into Okhta Center, and on the controversy that developed around these plans. The paper uses the skyscraper debates as a lens to discuss a particular "aesthetic politics" of St Petersburg, the meaning of "world cities" and "global architecture" in Russian and international contexts, post-Soviet forms of political and corporate governance, the mobilization of civic opposition to such projects and the ability of such urban protests to translate into a more unified and politically oriented opposition than has been possible in other contexts in Russia.